Five Facts About Arthur

Barry Hill, just north of Alyth in Angus, photographed by Richard Webb.  Arthur's last battle was fought near here.

I've written quite a lot about prejudice, lately.  This comes partly from my work on the final chapter for The Grail; Relic of an Ancient Religion, in which I analyse what makes people believe certain things - irrespective of, and often in direct contradiction of, the evidence.

Because the fact is that where a lot of history is concerned, prejudice dictates what we believe.  Hence, the revelation that Arthur was Scottish (or perhaps it would be more accurate to say North British) is either ignored or derided by people who prefer to cling to the notion that he was, in some strange, anachronistic sort of way, essentially English.

A couple of posts back, I flirted with the idea of posting a handful of facts, none of which is in any way speculative, about Arthur.  These indisputable facts point to one conclusion only - that the "King Arthur" we read about so often is a manufactured legend.  The real Arthur was not a "king".  He had no connection with southern Britain and was active somewhat later than the timeframe asserted by so many "experts".

So, here goes:

1. The earliest Arthur on record was northern.

Long before we encounter any English references to Arthur, a princely "Arthur" was written about.  He was Artur mac Aedain ("Arthur son of Aedan"), whose father, Aedan mac Gabrain, was ordained as King of the Scots by St Columba in AD 574.  The Life of Columba, written by Adomnan of Iona in about 697, drawing on earlier accounts written by previous abbots of Iona, suggests that Artur was present when his father Aedan was ordained.  St Columba predicted that this Artur would never be king but would "fall in battle, slain by enemies".  The Life of Columba goes on to confirm that Artur did indeed die in a "battle of the Miathi", the tribal name referring to the southern or Lowland Picts of central Scotland.

The Irish annals similarly indicate that Artur mac Aedain died fighting the Picts - his death in a "battle of Circenn" being dated to 594 (Annals of Tigernach).  Circenn was the old Pictish province which corresponds with today's Angus and the Mearns, just north of the Tay estuary in Scotland.

Like Adomnan's Life of Columba, the Irish annals ultimately derived from the Isle of Iona, off the coast of Argyll in western Scotland.  Key events were listed alongside the Easter Tables which allowed early monasteries to calculate the date of Easter each year; these events were later transcribed into the chronicles known as "annals".  The source of the information regarding Artur's death in a battle against the Miathi Picts, fought in Circenn (Angus) in about 594, was therefore the monastery on Iona which had been established by St Columba - the very man who "ordained" Artur's father Aedan in 574.

Most accounts of Arthur's life avoid mentioning the Irish annals or the Life of Columba because they reveal that, long before there was any mention of Arthur in a southern or "English" context, the Irish or Scots had already established that an Arthur died fighting against the Picts in Angus.  There are no surviving references to anyone named Arthur before these Irish accounts, which drew on contemporary references.  Some scholars insist that Artur mac Aedain could not have been the "real" Arthur but must have been named after an earlier hero called Arthur.  But the point needs to be made that no evidence whatsoever exists for anyone named Arthur before Artur mac Aedain.

2. The early British sources associate Arthur with the North.

No contemporary British accounts of Arthur survive, although we do have transcriptions of ancient poems and stories which were copied out in the Middle Ages.  They all point to Arthur having been a northerner, who associated with northern princes of the late-6th century (that is, the lifetime of Artur mac Aedain).

Starting with Taliesin, who proudly called himself the "Primary Chief Bard" of Britain and who flourished in the late-6th century, we find repeated references to Arthur as a contemporary figure.  For a while, at least, Taliesin was attached to the court of Urien, a king of North Rheged (Cumbria) who died in 590.  By his own admission, Taliesin was also based at Edinburgh for some time.  In addition to composing poems and elegies for Urien and his son Owain, Taliesin also praised Lleenog of Lennox (Loch Lomond) and his son Gwallog.  He also sang a death-song for "Uthyr Pen" ("Uther the Chief") and an extraordinary account of Arthur's funeral (Preiddeu Annwn).

Equally, Aneirin - a princely bard of the North who flourished in the late-6th century - made mention of Arthur.  Aneirin's masterpiece is known as Y Gododdin and sang of the warriors of Edinburgh and Lothian who perished in a military disaster fought shortly before the year 600.  The earliest surviving version of Y Gododdin, written in an archaic form of Welsh, includes a direct reference to Arthur (we will return to this).

Moving onto the British stories of Arthur and his heroes, although these were transcribed by medieval monks during the Middle Ages, there is no good reason to presume that they were made up during that same period; rather, they almost certainly preserved a record which had been passed down orally by bards and storytellers.  In these stories (some of which were edited and translated in the 19th century by Lady Charlotte Guest and published as the Mabinogion or "Tales of the Early Age"), Arthur is consistently presented in the company of northern individuals of the late-6th century.

Such individuals include Taliesin, Urien of North Rheged and his son Owain, Cynon son of Clydno of Edinburgh and Peredur of York (Taliesin, Owain and Cynon are among those named alongside Arthur in Aneirin's Y Gododdin poem of a northern battle fought in the late-6th century).  These historical figures were later romanticised (Urien - Uriens; Owain = Yvain; Peredur = Perceval - compare Lleenog and Gwallog, who became the legendary father and son duo, Lancelot of the Lake and Galahad).

Others who appear to have accompanied Arthur on his forays "into the North" include St Cadog, one of Arthur's "four-and-twenty horsemen", who founded a monastery in central Scotland, and whose hagiography features several encounters with Arthur and other contemporary figures, such as Rhydderch of Dumbarton (died circa 614).  Rhydderch, meanwhile, is repeatedly associated with the Merlin-figure, Myrddin Wyllt, who "went mad" at a battle fought in the Scottish Borders in 573 and then spent much of his time in the "Caledonian forest", where at least one of Arthur's battles was fought, according to a list compiled in about 829 by a Welsh monk commonly known as Nennius.

3. The early romances associate Arthur - and the Grail - with the North.

As early as 1120, Lambert, the canon of St Omer in Brittany, wrote of the "palace of the warrior Arthur" as being "in the land of the Picts" - or Scotland, as we would now know it.  Lambert wrote in Latin, but used a Gaelic name for Arthur (Artuir militis).

Most mainstream accounts of "King Arthur" do not mention Lambert's testimony because it draws us away from the myth of the southern Arthur.  That myth was forged by Geoffrey of Monmouth, whose account of Arthur's life and career formed part of his Historia Regum Britanniae or "History of the Kings of Britain", which he completed in about 1137.  Geoffrey appears singlehandedly to have invented the legend of Arthur's birth at Tintagel in Cornwall.  He also claimed that Merlin transported the "Giant's Dance" from Ireland by magic, bringing it to England where it became known as Stonehenge.  Very few people take that claim seriously, and yet a surprising number are eager to take the equally unfounded story about Tintagel as Gospel.  (In a later account, Geoffrey placed Merlin in the company of Taliesin, correctly identifying Myrddin Wyllt as the origin of the Merlin legend and a contemporary of the late-6th-century "Primary Chief Bard", but by then the damage had been done - those who wanted Arthur to have been "English" had the Tintagel myth to turn to, even though nobody before Geoffrey of Monmouth had mentioned it.)

Still, writers in Britain and on the Continent continued to link Arthur and his exploits with the North.  Beroul, for example, whose verse romance of Tristan was composed in about 1200, stated unequivocally that Arthur and his Round Table were located at Stirling, on the River Forth in central Scotland.  There was indeed a "Tristan" who was contemporary with Artur mac Aedain.  His name was originally Pictish - Drust - but the Scots came to think of him as "St Drostan" and placed him in the company of St Columba (as "Drosten", he is named on a 9th-century Pictish stone at St Vigeans in Angus, not far from the scene of Artur's last battle; an early British account has "Drystan" fleeing with his lover, Esyllt, into the "Caledonian forest").

In Chretien de Troyes's version of the Peredur story - Perceval ou le conte du graal - the sword presented to the Grail knight by his uncle, the Fisher King, could only be "rehammered, retempered and repaired" at a lake beyond the River Forth.  The Estoire del Saint Graal, composed in about 1230, stated that both Joseph of Arimathea, who supposedly brought the "Holy Grail" to Britain, and his son Josephus were buried in Scotland.  At about the same time, one Guillaume le Clerc wrote his romance of Fergus, in which a young would-be knight encounters Arthur and his men in Galloway and then goes on a quest across much of Scotland.  The Queste del Saint Graal (circa 1230) remarked that Celydoine, an ancestor of the knights Lancelot and Galahad, was "the first Christian king to hold sway over Scotland".

An oral tradition concerning Arthur continued in Scotland - and especially in the islands of the Hebrides - until the tales were finally written down in the 18th and 19th centuries.  In one of these, which was recorded on the Isle of Tiree, very close to Iona, Arthur is "Chief Arthur son of Iuthar".

4. Arthur's enemies were northern.

Traditionally, Arthur fought against the Saxons, who colonised much of southern Britain in the 5th and 6th centuries AD.  The term "Saxon" is still used in Welsh (Sais) and Scottish Gaelic (Sasunn) to designate an "Englishman" and "England" respectively.  The term "England", however, derives not from the Saxons but from the Angles, who formed Engla land some time after they had established their kingdom of Northumberland.

The Angles did not lay claim to their first northern kingdom (Bryneich - or Bernicia, as the Angles called it) until about AD 547.  They later added the kingdom of Deira (British Deywr) in 559, and together these adjacent territories on the coast of north-east England formed the Anglian kingdom of Northumberland.  Forays were made into central Scotland (thus, Artur and his contemporaries fought them in Lennox, near Loch Lomomd, and at Craigmaddie Muir, north of Glasgow).  By 590, though, an alliance of British and Irish chieftains had pretty much driven the Angles back into the sea.  Only the treachery of a British petty-king, Morgan the Wealthy, whose power base was at the Edinburgh, caused the British resistance to collapse after the assassination of Urien of North Rheged.

Just five years later, the resurgent Angles overran much of the North.  They finally conquered Edinburgh and Lothian in 638.

Between 590 and 595, or thereabouts, the invading "English" underwent an astonishing change of fortune - from being all-but wiped out in 590 to taking control of much of North Britain in 595.

Artur mac Aedain, we should remember, died in a battle fought in Angus in 594.  During his lifetime, the Anglian threat had been contained, and almost eradicated, before an act of treachery led to the death of Arthur's companion, Urien, and then his own death opened the floodgates to the conquest of North Britain by the Angles.  The historical circumstances therefore square with the later legends of Arthur: he sought to hold back the English, and was remarkably successful in doing so, until treachery struck.  And with the death of Arthur, Britain was finished.

But the Angles were not his sole enemies.  Geoffrey of Monmouth - who acknowledged that Arthur had fought battles around Dumbarton and Loch Lomond, a very long way from his supposed base in the south - also noted that there had been "Scots, Picts and Irish" ranged against Arthur in his final conflict, and that the various factions who had been brought into alliance by a treacherous British chieftain included both pagans and Christians.  Geoffrey specifically stated that the "Saxons" were to be awarded with the land between the River Humber and Scotland - that is, Northumberland, the land of the Angles - in return for joining forces against Arthur.

5. Arthur's last battle was fought in the North.

We think of it as the "Battle of Camlann", and yet no contemporary references to any such battle survive.  The last battle of Arthur doesn't appear to have been referred to as "Camlann" until the Middle Ages, when it was entered into the Annals of Wales as Gueith cam lann, the "Strife of Camlann".

It is usually assumed that "Camlann" is, and could only be, a Welsh place-name.  This is not a reasonable assumption: the old Roman fort at Camelon, near Falkirk (just south of Stirling), is known as Camlan in Gaelic (Kemlin in Scots), and so we shouldn't suppose that cam lann was an authentic British (i.e. Brittonic) place-name.

In fact, the term cam lann translates via Anglo-Saxon - and via Lowland Scots, a derivative of the Old Germanic tongue spoken by the Angles, which had been established in southern Scotland by the 7th century - as "comb land".

Artur mac Aedain, we recall, died in 594 at a "battle of Circenn".  The term circenn combines two Old Irish words, cir  - meaning "comb" or "crest" - and cenn, meaning "heads".  The Angus region, which was then known as Circenn, appears to have been the capital of the Miathi Picts, who seem to have modelled their appearance on the boar (Galam, a chief of the southern Picts who was almost certainly killed by Arthur in 580, bore two epithets: Cennaleth, or "Chief of Alyth", and Cennfaeladh, meaning "Shaved-Head"; he was also known as "Little-Boar", Welsh Baeddan, or "Little Tufted One", Gaelic Badan, since his head was shaved to represent the tuft, crest or "comb" of a boar).

So, Artur mac Aedain died in 594 in a battle in Circenn, the land of the "Comb-heads" or the boar-crested warriors of the Miathi Picts.  His death more or less put an end to the British resistance to Anglian invasion.

The Arthur of legend died in a battle in "Comb land" or cam lann.  His death more or less put an end to the British resistance to the "Saxons", or the English as they are now known.

With this in mind, we might return to the Y Gododdin poem of Aneirin, which sang of the heroes (many of them resident fixtures of the Arthurian legends) who fought so valiantly in a disastrous encounter with the Northumbrian Angles which took place not long before the year 600 and not all that far from Edinburgh.  Indeed, Aneirin tells us where it happened:

Again they came into view around the Allaid,
The battle-horses and the bloody armour,
Still steadfast, still united ...

The "Allaid" (Gaelic Ailt) was the Hill of Alyth, above the River Isla in Strathmore, the great valley of Angus.

As previously stated, the earliest surviving version of Y Gododdin includes a reference to Arthur.  This reference has been repeatedly mistranslated by scholars who do not want to think of Arthur as a northerner or to consider the possibility that Arthur might have been present at this disastrous battle between the Gododdin warriors of Lothian and the massed ranks of Angles, Scots, Irish and Picts.  Here's the passage which mentions Arthur:

Gochore brein du ar uur
caer ceni bei ef arthur
rug ciuin uerthi ig disur ...

We can now translate this passage thus:

"Black ravens sang in praise of the hero
of Circenn.  He blamed Arthur;
the dogs cursed in return for our wailing ..."

The "hero" (Welsh arwr) of "Circenn" (corrupted to caer and the genitive ceni in the transcription) was probably Arthur, who was blamed for his own death by his principle enemy whilst his black raven warriors sang their dirges over him.

As St Columba had predicted, he had "fallen in battle, slain by enemies".  This battle was fought against a motley bunch of Angles, Scots, Picts and Irish, and it took place in the "comb land" (cam lann) of the "Comb-heads" (Circenn), where Arthur - surrounded by those very princes of North Britain who would follow him into the legends - was fatally wounded near the Allaid or "Hill of Alyth", the chief seat of Galam, the onetime boar-king of the Miathi. 

This region is also known as Gowrie, after Gabran, the grandfather of Artur mac Aedain, who had annexed the territory in about 525.  The place where Artur fell is known to this day as Arthurbank, the precise spot still being known as Arthurstone.

Southern Britain never had an Arthur, nor even a figure remotely like Artur mac Aedain. 

The myth of the southern Arthur is exactly that - a myth. 

The real Arthur, as all the available evidence indicates, was a northerner, active in the second half of the 6th century, and only blind prejudice stands in the way of our recognition of Artur mac Aedain as the hero he was.

Arthur, the Grail, and Independence

It seems that next year's Scottish independence referendum, timed to take place in the 700th anniversary year of the Battle of Bannockburn, has been inspiring film makers.

Two projects - both about William Wallace - are in the pipeline; one, I believe, by Scottish Television, and the other by Sir Ridley Scott.

And why not?  It's a great story, and even if Mel Gibson's Braveheart played fast and loose with historical facts, it makes a great film.  We'll not make too much, at the stage, of the fact that the name Wallace derives from the same Anglo-Saxon root - wealas, meaning 'foreigner' - as 'Welsh', so that whatever his Scottish ancestry, William Wallace was actually a Welshman, a Briton.

But then, maybe we should celebrate Wallace's Welsh - i.e., British - roots.  After all, his heroic attempts to free his country from foreign (English) oppression came a full 700 years after an earlier Briton - who was also a Scot - fought so hard to stop the original English from taking over the Island of Britain.

That earlier hero was Arthur, and if you think he wasn't of Scottish blood - if you think he cannot have been a Scottish prince - then you've been brainwashed by propaganda.  To put it very simply, the English stole the cultural heritage of the Scots (and the 'Welsh' Britons) and pretended that it belonged to them.  It's as if the Brits decided that they liked the story of Shaka Zulu so much, they insisted on rewriting it in such a way as to make out that Shaka was born in Surrey.

If I might crib from the notes I made for my talk at Pagan Pride the other weekend:

King Arthur is a medieval myth.  There never was a 'King' Arthur - the word 'king' didn't exist when Arthur was around.  The earliest native sources refer to him as ymerawdwr, a Welsh variant of imperator or 'emperor'.  The idea that he was a 'king' didn't come till much later, along with the preposterous claims that he was a 'Christian' and that he was buried at Glastonbury.  Just one lie after another, I'm afraid, and mostly emanating from the medieval Church.

In fact, when the Cistercians gained a foothold in Scotland, alongside the Knights Templar, they began to rewrite the Grail stories with more than a few references to Scotland.  Those references were later exchanged for 'Glastonbury' by propagandists working for the Benedictines, who were the Cistercians' main rivals.

The first Arthur on record was a Scot.  Well over 100 years before the first 'recognised' reference to Arthur - in the History of the Britons (circa AD 829) - the Life of St Columba by Adomnan of Iona referred to a son of the then King of the Scots, Aedan mac Gabrain.  This son was called Artur or Artuir, and he was destined to die in battle.  The Irish annals indicate that he died in about 594, fighting against the Picts of Angus.

What is more, the early British literature abounds with references to Arthur in a northern context.  There is, for example, Aneirin's Y Gododdin poem (circa AD 600), which is regularly mistranslated by scholars in order to make it appear that Arthur wasn't involved in Aneirin's catastrophic battle in North Britain.  There are also the poems of Taliesin, the Chief Bard of Britain, who flourished in the second half of the sixth century, primarily in North Britain, and wrote of Arthur as a contemporary.  Taliesin, like Aneirin, also praised certain conteemporaries of Artur mac Aedain, such as Peredur - i.e. Perceval; Owain - i.e. Yvain; Cynon - i.e. 'Kentigern'; and various others.

The poems of Myrddin Wyllt - later identified as 'Merlin' - belong to North Britain in the late-sixth century.  The individuals named in medieval lists of the Pedwar Marchog ar Hugain Llys Arthur ('The 24 Horsemen of the Court of Arthur') were predominantly sixth-century figures based in North Britain, as are the individuals encountered in one of the earliest ecclesiastical sources to mention Arthur (Caradog of Llancarfan's Life of St Cadog - Cadog having been one of Arthur's knights), and the battles cited as Arthur's 12 great victories in the History of the Britons can all be traced to locations in Scotland, several to historically-attested battles involving the family and contemporaries of Artur mac Aedain.

I could go on.  In fact, I am - in The Grail; Relic of an Ancient Religion, which is exploding the silly medieval myths about cups of the Last Supper and Arthur hanging around Glastonbury (or you could try The King Arthur Conspiracy, which has been praised by those who came to it without prejudice and preconceptions).  But for now, the point is this:

Only English racism (sorry; let's say "nationalism", along with a touch of "xenophobia", a dash of "imperialism" and a healthy dose of "superiority complex") continues to try to pin Arthur and his legends to southern Britain.  Only English racism - and Christian dishonesty - continues to insist that he must have been a fifth-century warlord of the south ... even though not a single shred of evidence has ever appeared to indicate who such an Arthur might have been.

Most of them refuse even to discuss THE FIRST ARTHUR ON RECORD, and when pushed will come up with some ludicrous gobbledegook along the lines of: "Well, Arthur son of Aedan - the first Arthur to appear in any literary source - MUST have been named after an earlier, decidedly more English Arthur, about whom we know absolutely nothing."  You've got to be pretty far gone if you have to make claims like "the earliest on record must have been named after someone even earlier who probably didn't exist".  But this is the reason why scholars persist in mistranslating the relevant lines in Aneirin's elegaic Y Gododdin poem - anything to hide the glaringly simple fact that Arthur was a sixth-century prince of the North.

Even Geoffrey of Monmouth, who cobbled together the nonsense about Arthur at Tintagel in Cornwall - even he knew that Arthur had fought at Dumbarton, and around Loch Lomond, and that he met his end fighting against 'Scots, Picts and Irish ... some of them pagans and some Christians.'

Artur mac Aedain died fighting against the Picts (and others).  Before long, I'll be explaining what the Pictish symbol stones of Angus can tell us about that battle.  According to the Irish annals, the battle was fought in 'Circin' - that is, Circenn, the Pictish province we now know as Angus.

Circenn - from cir, a 'comb', and cenn, 'heads'.  The Picts of Circenn modelled their appearance on the boar, and shaved their heads in such a way as to mimic a boar's crest or 'comb'.

Of course, we all know that 'King' Arthur died fighting at Camlann.  But where was 'Camlann'?

Well, much of southern and central Scotland was invaded by the Germanic Angles, once Arthur had been destroyed.  So that by the seventh century, a great part of Scotland was speaking a Germanic tongue.  This evolved separately from English to become the 'dialect' known as Lowland Scots.

Hence, Camlann - from cam, a Scots word meaning 'comb', and lann or laan, a Scots word meaning 'land'.  And - surprise, surprise - the Pictish standing stones of 'Comb-Land' even show us images of the Grail and the death of Arthur's queen (who was buried, as the Scots have maintained for centuries, close to the site of the last battle).

Arthur was killed in the land of the 'Comb-Heads', otherwise the 'Comb-Land' or Camlann.  And he died desperately trying to defend his people - the Scots, and the Britons of the North - against the encroaching Angles.  The very people who, many years later, would steal his legend and pretend that it was theirs.

So, two major productions about William Wallace in the run up to the Scottish independence referendum.  Not necessarily a bad thing.

But one of them, at least, should have been about Arthur - a true Scottish hero, betrayed by generation after generation of Englishmen.

The Battle of the Broken Sword

You know the old joke - "Never asssume.  When you assume, you make an 'ass' out of 'u' and 'me'."

It's astonishing how many discussions about things Arthurian start out from a common assumption.  One example is the place of Arthur's last battle, traditionally known as Camlan or Camlann (according to a Welsh dictionary, cadgamlan - "battle of Camlan" - is a byword for confusion, or a rabble).

The assumption made by almost all commentators is that Camlann was a place-name, probably from cam - "crooked", "bent", "false" or "wrong" - and llan, an "enclosure", "parish" or "yard".

And so, off we go, looking for places called Camlann.  Geoffrey of Monmouth (12th Century) thought it was the River Camel ("Camblam") in Cornwall.  Others have pointed to a Camlann near Dolgellau in North Wales.  Others still have suggested the Roman fort of Camboglanna on Hadrian's Wall.  But then the linguists pipe up that Camboglanna could not have been "Camlann" ... and we're back to square one.

Now, if the approach you're trying isn't working, it's usually best to try a different approach.  Nobody has identified the real site of Arthur's last battle.  Could it be because their assumption that Camlann was a place is entirely wrong?

There's another interpretation of Camlann.  The cam ("crooked") element is the same in Welsh and Gaelic (in Old Irish, camb - which, given that Camlann was often written "Camblann", suggests that this was the original root).  But in Gaelic, lann, as well as meaning a "meadow" or "land", can also signify a blade or sword (compare the Welsh llafn, a "blade").

So, what if Arthur's last battle was not the encounter at the Crooked Meadow, but rather the Battle of the Broken Sword?

Interestingly, Arthurian tradition indicates that this might have been the case.  Indeed, reading between the lines, it would appear that Arthur was presented with a sword, in advance of his last battle, which was specifically designed to fail him at a crucial moment.

Probably the best evidence for this is to be found in Le Conte du Graal (circa 1180) by Chretien de Troyes.  The hero of this tale, Perceval, was originally Peredur of York, who perished at Arthur's last battle.

Perceval encounters the Fisher King, who invites him to his castle and presents him with a sword. Perceval then neglects to question the meaning of the mysterious Grail procession which he witnesses, and he awakes in the morning to find the castle deserted.  He is soon upbraided by a maiden, who tells him that the sword he was given would surely fail him and shatter into pieces if he ever drew it in battle.  The only place where the sword could be "rehammered, retempered and repaired", Perceval is told, is at the "lake beyond Cotouatre", where the sword was made by a smith named Trebuchet (possibly from Turbe, the father of the smith-god Goibhniu or Gofannon).

Chretien's Cotouatre was a corruption of Scottewatre - that is, the Firth of Forth or the River Forth.  There is a lake, known as Loch Venachar, just north of the River Forth, near Stirling.  From this lake emerges Eas Gobhain, the "Cascade of the Smith", which forms the River Teith.  This river flows past the site of St Cadog's monastery from which - as I argue in The King Arthur Conspiracy - a "tempest of pilgrims" set out treacherously to attack Arthur at his last battle in Angus.

Welsh tradition also recalls a semi-divine figure, Dylan Eil Ton ("Ocean son of Wave") who was killed by a blow administered by his uncle, Gofannon.  Gofannon, the god of smith-craft, might also be remembered at Govan (Baile a' Ghobhainn - the "Town of the Smith"), and my last blogspot ("House of Arthur") was illustrated with a carving, identified by a letter "A" and thought by some to represent Arthur, which was discovered on a sarcophagus in Govan Old Parish Church.  If the smith, identified with the lake beyond the River Forth, who created Arthur's sword, intending it to fail when he most needed it, was also Arthur's uncle, then we have reason to suspect that it was St Cadog who forged the weapon.

The failure of Arthur's sword at his last battle in Strathmore, Angus, in AD 594, was catastrophic.  Arthur was mortally wounded, and with the "Duke of Battles" dealt with, the encroaching Angles ("Saxons") were able to invade and conquer most of North Britain.

Looking for a place called "Camlann" might be a fool's errand, then, if the battle was remembered as being the one at which Arthur's sword failed him, shattering into pieces when he most needed it.

It was the Battle of the Broken Sword.  And it is still remembered by the native Britons (the Welsh) as a byword for chaos and confusion.  Hardly surprising, really, because the failure of Arthur's sword sealed the fate of the Britons.

To Kindle Interest

It's out!  On Kindle, that is.

The real books will be on their way soon.  But for those who Kindle, or those who just fancy a taster, Amazon is the place:

http://www.amazon.co.uk/The-King-Arthur-Conspiracy-Scottish/dp/0752476858/ref=sr_1_2?s=books&ie=UTF8&qid=1340102692&sr=1-2

I'll also provide updates on the publicity as it happens.  A couple of magazine articles are pending, including a big piece in History Today (August edition).  We'll keep you posted.

But that's enough about The King Arthur Conspiracy.  I'd also like to draw your attention to another new book.  Not one that I've been involved with in any way.  It's the first of a trilogy.

The Chronicles of Iona: Exile by Paula de Fougerolles is a novel about "the two men who laid the foundations of the Scottish nation" - Aedan mac Gabrain, King of the Scots, and St Columba.  The author describes them as "a real-life sixth-century Merlin and King Arthur".

The similarities between St Columba and the literary invention that is Merlin had occured to me whilst I was researching and writing my history of Arthur.  Aedan mac Gabrain was Arthur's father (the first man on record to be known as Arthur, that is).  The original Merlin (a name of later date) was fairly close in age to the historical Arthur.  He also did not look much like the Merlin we have come to know and love.

Arguably, St Columba did look a bit more like the traditional Merlin.  Hair cut in the Druidic tonsure (shaved at the front, long at the back), with a blackthorn staff and stained eyelids, Columba might have passed for a Merlin figure.

But the "real" Merlin was an enemy of Columba.  I've even wondered whether their antipathy had anything to do with Geoffrey of Monmouth's invention, in the twelfth century, of the name Merlin.

You see, Columba's adoptive name meant "Dove".  And the hunting bird known as the merlin is scientifically known as Falco columbarius.  Merlin, you could say, was the raptor who hunted the Dove.

Anyway, that's all by the bye.  Please feel free to check out The King Arthur Conspiracy on Amazon.  And then, when you've done that, and ordered copies for everyone you know, check out this page:

http://www.amazon.co.uk/The-Chronicles-Iona-Paula-Fougerolles/dp/0615602541/ref=sr_1_1?s=books&ie=UTF8&qid=1340103057&sr=1-1

The Chronicles of Iona - potentially, a companion-piece to The King Arthur Conspiracy: How a Scottish Prince Became a Mythical Hero.

What do you think?

Here's the proposed blurb for "The King Arthur Conspiracy", just in from the publisher:

Most of what we know - or think we know - about King Arthur came from the pen of one Geoffrey of Monmouth in 1137.  His account in a History of the Kings of Britain quickly became the accepted version of events.  It was, however, extremely wide of the mark.  With his story, Geoffrey created a myth and allowed the English to imagine that Arthur was one of their own.  Indeed, to visit the grey ruins of Tintagel Castle on the coast of north Cornwall is to feel as though one has stepped into the world of Arthur.  That feeling is illusory.  The castle did not exist when Geoffrey wrote his account of Arthur's birth.  It was built by the brother of Geoffrey's patron, who thereby created a sort of Arthurian theme-park in the wrong part of Britain.

A hero named Arthur undoubtedly existed, but his legend was stolen, uprooted from its proper place and time and transplanted to another country.  The scam of Arthur's grave and the subsequent myth that Glastonbury was the Isle of Avalon formed a further part of the early Church's conspiracy to reinvent Arthur as an English paragon.

So where is Avalon - the blessed isle on which Arthur was buried?  And who was the original King Arthur?  Simon Andrew Stirling here draws on a vast range of sources and new translations of early British and Gaelic literature to identify history's true Arthur, and to pinpoint his precise burial location on Avalon.

Please feel free to comment and let me know what you think.

Camelot - An Introduction

In the last blogpost we glanced at the argument that there is "no evidence" that Artuir mac Aedain (c. 559 - 594) was the original King Arthur.  It's completely untrue, of course.  There's quite an abundance of evidence that Artuir was Arthur 'the Emperor'.

Lambert of St Omer was a Benedictine monk, born in the latter half of the eleventh century, who in 1065 was chosen abbot by the monks of St-Bertin and the canons of St Omer in France.  He is best known for his Liber floridus or "Book of Flowers", which he completed in about 1120.  It is essentially a medieval encyclopedia, and it discloses some interesting information about Arthur.

Building on the work of the ninth-century Welsh monk known as Nennius, Lambert of St Omer wrote in his Liber floridus that -

"There is in Britain, in the land of the Picts, a palace of the warrior Arthur, built with marvellous art and variety, in which the history of all his exploits and wars is to be seen in sculpture.  He fought twelve battles against the Saxons who had occupied Britain."

One or two things immediately stand out from this statement.  Firstly, in referring to the 'palace of Arthur the warrior Arthur' (palatium ... Artuir militis) Lambert seems to have plumped for the Scottish spelling of Arthur's name - Artuir.  Secondly, he locates this palace firmly in the 'land of the Picts', or what we would now term Scotland.

It has long been suspected that the 'palace' referred to by Lambert was the structure known, at least since 1293, as 'Arthur's O'en' or Arthur's Oven (Furnum Arthuri).  This was a Romano-British temple, supposedly erected by Vespasian in honour of the Emperor Claudius, not far from Falkirk in central Scotland.  The circular temple was later described as 'an old building in the form of a sugar-loaf, built without lime and mortar', and though it was destroyed in the eighteenth century an exact replica can be found among the stables of Penicuik House in Edinburgh.

The assumption that Lambert's 'palace of Arthur the warrior' was the Arthur's Oven temple is quite probably wrong.  More likely, that 'palace' was a Pictish roundhouse which stood on raised tableland overlooking the River Carron a short distance away.  One manuscript based on the ninth-century work of Nennius claims that a Roman commander built 'upon the bank of Carron a round house of polished stone, erecting a Triumphal Arch in memorial of a victory'.  The same site seems to have been referred to by the sixteenth-century Scottish historian Hector Boece as the palace of one Cruthneus Cameloun, a supposed 'king of the Picts'.  Today, the place is known as Camelon.

In the middle of the second century AD, the Roman army constructed a turf-and-stone rampart across the pinched waist of Scotland, from the estuary of the Clyde to that of the Forth.  This wall, named after Antoninus Pius, passed a short distance to the south of the Pictish roundhouse which stood on the bank of the River Carron, and which would appear to have been commandered by Vespasian.  Around it, a detachment of the XX 'Valiant and Victorious' Legion built a large fortress, which eventually grew to include two large encampments and ten smaller marching camps.  The Romans called this place Colonia.  The imperial army abandoned these impressive fortifications later in the second century, and no doubt the great fortress of Colonia was gratefully occupied by the local Picts.

Much of this 'little ancient city' still existed in Arthur's day.  As late as the year 1720 it was recorded that 'We may still discern the track of the streets, foundations of buildings and subterranean vaults.  The country people call it Camelon or Camelot.'

Twenty-five years earlier, in 1695, Edward Gibson, Bishop of London, revising William Camden's earlier Britannia, had remarked of the Colonia site: 'There is yet a confused appearance of a little ancient city ... They [the 'common people' of the locality] call it Camelot.'

Clearly, the ancient fortifications at Camelon were also known as Camelot.  Camelon has two-syllables - 'came-lon' - and the place is known in the Scots dialect as Kemlin or Caimlin.  In Gaelic, it is Camlan, a place of unparalleled consequence in the legends of King Arthur.  The site of his last battle, in almost every telling of his tale, was Camlan.

It is also worth noting that the site of Arthur's Round Table, as explained in a previous post, was just nine miles away to the north, along what would once have been a Roman road.  This road led into the wild lands of the native Picts from the Antonine Wall, which passed to the south of the Colonia fortress.  The fortress had clearly been built to guard a ford across the River Carron, on what was at one time the very boundary of Pictish territory.  Here was where the legionaries of Rome had come face-to-face with the tattooed Picts.  An anonymous correspondent of 1697 provided the local knowledge that a paved (Roman) road had crossed the River Carron near this ancient fort.  At the end of this road stood 'a great castle, called by the country folks the Maiden Castle'.  The site was surveyed by General W. Roy in the eighteenth century: he noted that the 'town' must have been 'one of the most considerable stations belonging to the Romans in North Britain'.  The particular mound beside the River Carron as surveyed by Roy was excavated during the twentieth century, when it was discovered that the mound, which was fortified by a several ditches and a palisade, supported two circular houses of timber.  One of these was perhaps the 'palace of the Picts' described by Hector Boece in the sixteenth century; the other might have been the 'Maiden Castle' referred to in 1697.  Both formed part of what was known locally as 'Camelot'.

Let us suppose, then, that the 'palace of Arthur the warrior' mentioned by Lambert of St Omer in 1120 was not the Arthur's Oven temple but rather the fortified roundhouse or 'palace of the Picts' nearby, which was also 'one of the most considerable stations belonging to the Romans in North Britain'.  This was the very fortified enclosure or 'little ancient city' which was known locally, a thousand years after Arthur, as Camelot.

Lambert of St Omer's testimony concerning 'Artuir the warrior' in the land of the Picts is of great importance.  His "Book of Flowers" appeared nearly twenty years before Geoffrey of Monmouth's History of the Kings of Britain.  Geoffrey's work can be thought of as the first Arthurian bestseller, but it played havoc with British history.  It is to Geoffrey that we owe the myth that King Arthur was born at Tintagel in Cornwall, and that the climactic battle of his career was fought nearby on the River Camel.  Geoffrey therefore placed his King Arthur a long way away from Pictland, although he did have Arthur fighting battles in and around the western end of the Antonine Wall.  Geoffrey's account was in many ways the inspiration for subsequent versions of the legends; Lambert's account, by way of contrast, is barely known.  But it is Lambert's reference to the Arthur's palace in the land of the Picts that is almost certainly the more accurate of the two.

The very obscurity of the Lambert reference is illustrative of the King Arthur conspiracy.  It puzzles scholars - "How could Arthur's palace be in the land of the Picts?" - but only because it is anathema to them to admit that there was an Arthur in Scotland.  Rather, they continue the false trails left by Geoffrey of Monmouth.  Lambert also mentioned the existence of stone sculptures depicting the twelve legendary battles of Arthur.  England - so far as I am aware - has nothing to compare with the many fantastic examples of Pictish stone carvings which display images of battle and which have been found over much of the Arthurian region in the province of the southern Picts, against whom Arthur would die fighting in 594.  It is quite possible that some of these magnificent Pictish stone carvings actually relate to the historical Arthur's battles in central Scotland (I'm looking forward very much to Iain Forbes's The Last of the Druids: The Mystery of the Pictish Symbol Stones, published shortly by Amberley, to see what light he is able to shed on these fascinating carvings).

Once again, though, we find evidence for an Arthur in Scotland when no such hard evidence exists for one further to the south.  Another plus for Artuir mac Aedain: the first, and probably the only, Arthur.